Sichuan Intangible Cultural Heritage Protection And Tourism Exploitation Of Traditional Opera Research

since China’s kunqu Opera May18,2001, selected in UNESCO after thefirst batch of human oral and intangible heritage, intangible cultural heritage as a newconcept enters people’s field of vision, both at home and abroad have launched a study onintangible cultural heritage fever. Intangible cultural heritage is a precious wealth of thenation, the State and the world, is a living witness of history, and is the best representation ofthe national spirit. With the globalization of economy and culture, while the world is closelylinked to substance, culture has been get the good communication and exchanges, but alsoindirectly damages the environment for intangible cultural heritage, shrinking the number ofintangible cultural heritage and even death. Therefore, nation depend on cultural soft powertoday, we should pay more attention to the role and status of the intangible cultural heritageand protection of cultural diversity. With the continuous development of the tourism industry,people are no longer satisfied with traditional sightseeing, they pay more attention to culture,intangible cultural heritage as a tourist resources of tourism activities, are well known anddeveloped at the same time, also suffered varying degrees of damage, in tourism developmentand to correctly handle the relationship between intangible cultural heritage protection andtourism development.Sichuan is located in the southwest of China, where people are simple and people of allnationalities together and nurtures the brilliant Bashu culture, rich in intangible culturalheritage. Sichuan Opera as such a wonderful work of intangible cultural heritage, inSichuan-Chongqing region and the country has a lot of popular support, which face-changingeven known from the old to the young as a stunt, the Opera has a strong local character, forthe study of history in Sichuan, peoples living traditions, folk development, plays animportant role. This article is divided into six chapters to discuss the protection and development oftraditional opera classes in Sichuan province as the intangible cultural heritage, are asfollows:Chapter one is introduction, respectively, discussed the background, purpose andsignificance of the question papers. Used literature, example analysis and other analyticalstudies presented this article the main theoretical basis. Introduce intangible cultural heritageresearch at home and abroad in detail, face up to problems in research, and learn fromsuccessful experiences;The second chapter discusses the concept of intangible cultural heritage, classification,and the interrelationship of intangible cultural heritage and tourism;Chapter three is a traditional Sichuan opera study of intangible cultural heritageprotection and tourism development research, introduced the general situation of touristresources in Sichuan province, characteristics and value of intangible cultural heritage,Feasibility analysis of Sichuan traditional drama of intangible cultural heritage tourismdevelopment, concluded that applies to traditional drama of intangible cultural heritagetourism exploitation model;Study on the fourth chapter analyses the example of Sichuan Opera, respectivelyintroduced the origins and development of Sichuan Opera, the problems in development andinheritance, through a variety of methods of protection and tourism exploitation strategy,make Sichuan Opera further inheritance and promotion;The fifth chapter is the conclusion, summarizes the conclusions of this paper andshortcomings.