The Artistic Study On Lu's Faction Rural TV Series

The Lu's faction(Lu's)rural TV series is an important type which is based on the unique geographical landscape,showing the development and changes of Shandong rural society,farmers' living conditions and spiritual emotion.This paper will take Lu's rural TV series "Xiangyang Mas Record to Countryside" and "the Chinese Farmers" as analytical text.It will take advantage of H.A Taine's "three-elements theory—race,environment,times" as the illustrated vision to excavate artistic and ideological quality of Lu's rural TV dramas from three interdependent dimensions which are geographical landscape,character image and cultural connotation.Therefore,it can enrich the study of Lu's rural TV dramas.The main content of the article is divided into three parts:The first part will mainly focus on the regional landscape which is constructed and presented in Lu's rural TV dramas.Lu's rural TV dramas perform the triple landscape--geographical landscape,residential landscape and folklore landscape,to build the story scenes of Lu's rural TV dramas.It is the surrounded mountainous-hilly-plains outside-space and the land-centerliving labor spaceand other geographical landscape that perform the natural style of Shandong villages.It is the dignified and honest Lu's residential and the residential interior-space which has the emotional-expression function and other living landscapes that present Lu's architecture style.And it is the Shandong rural folk customs which especially takes the food and clothing as the representative and the rural cultural heritage especially taking the festivals as the representative and other folk landscape that show the cultural customs that Shandong region have.The second part will put emphasis on illustrating the artistic characteristics of the characters shaping and the features of Lu's figures in Lu's rural TV series.The Lu's rural TV series chiefly employ the strategies to shape characters-the integration of realistic principle and romanticism,the unity of tragic,comedy and serious drama aesthetic elements.It mainly focuses on shaping the lively and dimensional Lu's farmer features,such as strongly race-concept and highly-respected traditional farmers,tough-wisdom and rough-bold rural leaders,pioneering,innovative and modern-thinking new farmers and so on.The third part will deeply excavate Lu's rural TV dramas in which contain the spiritual contents and cultural connotations.Lu's rural TV dramas take the profound cultural connotation of Shandong into the shape of the farmer group-images.Therefore,it can present the essence of Qilu culture with the image of the code and characterization.And it performs the survival concept that represent self-improvement and unity cultivation culture,the life attitude under Confucianism culture which contains loving the old and the young and keeping the moral order,and the life ideal under the "keeping and changing" modern culture in excellent Shandong culture.Lu's rural TV series has made relatively satisfactory results and formed relatively stable aesthetic characteristics the development of the entire Chinese TV dramas.However,it is worthy of deeply think over how to adhere to the "regionalization" road for Lu's rural TV series and create excellent dramas that combines artistic quality with ideological level.As a result,the creators of Lu's rural dramas should take full advantage of the long-standing Shandong cultural resources,expand and innovate the developmental type,and eventually build up the brand image of Lu's rural TV dramas in the process of Chinese TV series.