The Space View Of Minority Poetry In The New Century

With the deep diffusion of modernity's discourse in the edge of the ethnic minority areas in new century,ethnic minority groups are increasingly faced with the disintegration of traditional space and difficultly adapt to heterogeneous space.Especially the accelerated pace of urbanization,makes them under more pressure on the inclusion of traditional space and city space,they are hard to find the "home".So,they have been in a state of drift,lack of ownership.They experience the most painful experience by the mixed space identity anxiety,the conflict between traditional and modern,local and global,self and "the other".Ethnic minority groups have been a fundamental change in life experience and emotional experience.Poetry is the fastest and most keen aesthetic reflects social life.The new century minority poetry is studied from the angle of space can not only clarify its background,narrative art and writing mode can also explore the writing significance and deep reason,trend and existing problems.The main research contents of the thesis includes introduction,the traditional space writing of The new century minority poetry in the first chapter,the city space writing of The new century minority poetry in the second chapter,space writing mode of The new century minority poetry in the third chapter.Introduction part includes: The research origin,research significance,research status and research methods are briefly summarized.Focuses on the possibility of study The new century minority poetry by space theory,and thus brought many new discoveries,new thinking.The first chapter includes The new century minority poetry "the outcomer" writing of the first section,The new century minority poetry "the yearning" writing of the second section.Firstly discusses the background and reasons of the national minority poetry written by carol body writing to the ethnic cultural consciousness shift.Secondly,analyzes the deep-seated cause of The new century minority poetry writing traditional space.Thirdly,analyzes the typical image of traditional space "the outcomer" in the poetry performance and features and "the outcomer" the impact on the traditional space.Finally,discusses "the yearning" is how to accelerate the collapse of traditional space.The second chapter includes: "The panic" image writing of The new century minority poetry of the first section,"The fleeing people" writing of The new century minority poetry of the second section,The new century minority poetry "third space" writing of the third section.Under the time background,thesis studies the causes of the minority members of traditional space have to enter the city space.And due to they do not adapt to the city,they have the feeling of panic and escape emotion.Then it discusses the reasons why the panic,and how to describe "Panic" image in The new century minority poetry.Finally is the "The fleeing people" image in city space,analyzes why to escape and the writing of "The fleeing people" image and where to escape.The third chapter is space writing mode in The new century minority poetry.Overall,although the new century minority poetry dedicated to space writing,but the minority groups,their spatial anxiety is also time anxiety.Because the minority groups are not fully accepted in the case of modernity has been forced into,resulting in a lot of discomfort or confusion.In the face of this modern anxiety,ethnic minority poets are likely to construct ethnic identity through the demarcation of traditional space and modern space.The contrastive narration between traditional and modern space is represented by the classic "the past--the present" in the minority poetry.In this way,the space writing in the new century minority poetry will be transformed into two basic writing modes: "the past--the present" writing mode of the first section;"the other--the self" writing mode of the second section.