| Image is the original meaning of literature theory concept,is a scholar in literary creation,the subjective emotion and objective image fusion together,"meaning" of "elephant",which will own thought emotion and the life of a literary way.Images in Chinese classical literature has the vital significance,chrysanthemum patterns,moon and other natural object through the "meaning" of the literati,as has the aesthetic imagery symbols,and the ocean as important elements in the human living environment and social practice,as early as the pre-Qin period have entered the literati aesthetic images within the category of construction.Ocean imagery to ocean object as the carrier,is bearing the weight of the thoughts and feelings of academics,and to some extent to Chinese common emotional transmission and continuation of the important role.At present,the scholars to study for sea image,there are still many blank parts,Marine image in the works of research focuses on the specific analysis,as well as the tang dynasty such as sea images,this paper for the pre-Qin ocean imagery overall grooming in rare.This paper will take the sea image in the pre-Qin literature as the research object,based on image study and subject study,from the perspective of aesthetic study,to the macro grasp of ocean in literary image in the pre-Qin period,the specific analysis of Marine imagery to initiation of the important historical conditions in the pre-Qin period,discussing the aesthetic connotation of the pre-Qin ocean image,the final arrival to the most representative qin ocean image on the comparative analysis of literary texts,the aesthetic characteristics of ocean image and meaning implication for further research.Papers in addition to the conclusion,mainly from the following six parts:The first part,introduction,explained in this paper,the research background,research status and research thinking and theoretical framework,ocean of pre-Qin and generalizes the basic research situation of images.In traditional idea,the living environment under the influence of factors such as China and the relationship between the ocean has been more alienated,but in fact of the intimate connection between China and the ocean,sea even as early as in the pre-Qin period has become important practical and aesthetic object.But at present academic circles the research of the pre-Qin ocean image remains to be further deepened,and the lack of research Angle of view to grasp the sea image aesthetics from the nature of related research,but rich imagery,subject theory,and retained the pre-Qin classics,let whole grasp the pre-Qin sea image,mining the ocean the attribute of image possible.The second part,the core concept of interpretation,that is,for the image,Marine and system to interpret the connotation of aesthetic study,for the rest of the sea image study clear train of thought and theory basis.Image is the combination of "meaning" and "like",is a subjective emotion and objective image fusion in the literary work presentation.The ocean as the modern vocabulary in the pre-Qin period mainly in the form of "sea",but in order to ensure the image meaning of certainty,we are still named after sea image.Image is an important aesthetic object,also is an important category of aesthetic study,from the perspective of aesthetic research study of Marine image,to be able to cast off the yoke of the text,grasp the essence of its connotation,this section from three aspects as affective,iconicity,transcendence,find the correspondency of aesthetic research and ocean image,show the ocean imagery unique aesthetic attributes.The third part,the history of the pre-Qin ocean image initiation condition,social practice to the sea through the pre-Qin scholars,emotional,cognitive attitude and the analysis of the three aspects,such as Marine beliefs on ocean image to appear in the pre-Qin period the historical conditions of system in detail.Ocean is not only the important human survival environment,but also the important time for mankind social practice object,as early as in the pre-Qin period,the ancient people had already by Marine fishery,Marine transport,Marine resources development and other Marine activities,established a close connection to the sea,to the sea and on the basis of human emotional cognitive attitude also by the fear to the aesthetic transition gradually,and formed in the early qin period of faith and worship oceanography.The fourth part,the pre-Qin the connotation of image,ocean ocean image from natural,cultural attribute to the personality attributes,formed a rich and colorful aesthetic connotation.Through the analysis of the oceans has natural attribute,images can be concluded that the ocean of time and space scope extensity,aesthetic feeling of movement on the neutral beauty as well as the experience of all appropriate activities of mysterious looking for beauty;On the cultural property,the sea image and open and enterprising consciousness,beyond the free consciousness as well as the real and unreal fantasy;On the personality attributes,ocean and by literati "than" aesthetic,have all rivers run into sea of broad mind,humble humble noble quality,and the wind of reclusion remain at large.The fifth part,the pre-Qin classics ocean image analysis,through The Book of Songs and The Songs of Chu,Confucianism both sides of the contrastive analysis of the literature,delving into the sea image in different aesthetic characteristics of the pre-Qin works,and the implied cultural connotations.The Book of Songs and The Songs of Chu on the sea image build respectively reflects the focus on the characteristics of realism and romanticism,The Book of Songs is more of a real records,to the Marine practice while The Songs of Chu strange imagination greatly enriched the sea image aesthetic;Confucianism two literature has great differences in attitude to the land and sea,sea of Confucian lay particular stress on reality,the heavy land than sea,while the Taoist through exquisite aesthetic experience ocean activities,build a rich in the spirit of the sea,but in the end,no matter how Confucianism two views of sea and land,they are eager to build,the images by sea will be addicted to the people in real pain,its starting point and the foothold is the same.Ocean images in the sixth part,the pre-Qin literature influence and significance,the history of pre-Qin period after the sea image got to continue to develop,through to the ocean,tang and song dynasties,and Ming and qing dynasties the south-north image characteristics of comb,understand the sea image changes in the aspects of types and the connotation development.Ocean image while the pre-Qin period on the aesthetic connotation of the not mature enough,but as the oceans image appeared,the foundations of significance for the is a great research value,the pre-Qin period,many typical ocean image have become the later sea and ocean literature creation and the basis of the prototype,the condensation of the continuation of the cultural connotation and aesthetic attitude is complete. |
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