Interdisciplinary Research On Architectural Culture Communication Between China And Foreign Countries

This study uses statistical methods to make a statistical and classified study on the related articles published in the 1954-1990 years of Journal of architecture.The thesis is divided into two historical periods of the 50s-60 s years and the 80s-90 s years.The response of foreign architectural culture introduced in each period to the architectural theory of China at that time was discussed.From the three aspects of representative architectural theories,architects’ design ideas and architectural works,this article is committed to constructing a network of dialogue between Chinese and foreign architectural culture.The paper introduces the research methods of other subjects,and introduces the concepts of intercultural communication theory and the "front view" "dialogue" and "acceptance" in the theory of reception aesthetics,and analyzes the psychological and social factors behind the influence of the cultural dialogue between China and foreign countries in the two different historical periods.The main structure of the thesis is divided into 4 parts.The first part: in the first chapter,the core is determined in 1954-1990 years of China,and the reference object is identified in the relative period published in the Journal of architecture.The second part: the second chapter defines the concepts of intercultural communication theory and reception aesthetics,and introduces the existing architectural phenomena for analysis.The third part: the third ~ four chapter takes the age as the limit,takes the architectural theory as the main line,the architectural design works as the auxiliary,deeply analyses and explores the influence of the Chinese and foreign architectural cultural dialogue on the Chinese architecture.The fourth part: the fifth chapter,based on the theoretical research and phenomenon of the preceding three chapters,sums up the causes and consequences of the dialogue process of Chinese and foreign architectural culture during this period,summarizes the interaction between the "Rewriting" and "rewritten",and rethinks the academic environment,ideological situation and conceptual performance of the Chinese architecture during this period.Change is of great significance for today’s observation and review of contemporary practice and historical theoretical research.