Research On The Application Of Decorative Patterns Of Wuqiang New Year Pictures In Cultural And Creative Design

China has a history of 5,000 years of civilization.In the process of development,this soil carries many traditional folk arts,and Wuqiang New Year Pictures is a wonderful flower in the Chinese traditional art gallery.It draws on the local soil and serves the local soil.It has unique national art form.The traditional graphic symbols in Wu Qiang New Year's paintings are also a treasure of precious cultural resources and folk art.It has gradually developed from the early worship of nature and deities,to festivals and customs that exorcise the world,pray for blessings,and decorate the space.Thoughts and emotions and the desire for a better life,at the same time have a strong decorative and China's unique aesthetic mood.The form of Wu Qiang New Year's paintings has great potential for design and development,and is a valuable asset in China's traditional culture.It gives people emotional support and imagination.The art form of Wu Qiang's New Year's paintings is worthy of our continuous exploration,digging,broadening and development,and inheriting and promoting the essence of traditional culture and art passed down.With the development of the times,public aesthetic standards and values are changing.Foreign cultures are constantly impacting traditional culture.At the same time,the public has a weak awareness of national protection.Many intangible cultural heritages,such as Wuqiang New Year's paintings,have not received the attention of the public.They have changed from their own application functions to national cultural values.The diaphragm is forgotten.Based on the collection of the development history,art form,artistic characteristics,and cultural value of Wuqiang New Year's paintings,this subject deeply researches the visual element art form characteristics of Wuqiang New Year's paintings,and recreates its traditional elements to explore Wushu The application of the visual elements of Qiang Nian Hua in modern design has enabled Chinese traditional folk art to keep pace with the times and continuously innovate to form deeper connotations and aesthetic qualities.The re-creation of Wu Qiang Nian Hua has been applied to practice.In the new era,the classic traditional culture and modern culture are fused,deeply discovering and summarizing the intrinsic nature of traditional graphic symbols,and re-creating traditional culture in the context of modern design,so that Wu Qiang New Year's paintings impart traditional culture while inheriting it.A new sense of the times and vitality,so as to better develop and innovate traditional folk graphic symbols,make traditional Chinese art not only full of national charm,but also show the art charm of China to the world on the international stage,and make the public recognize the folk art The importance of culture,so as to study and inherit the cultural connotation and spiritual value of Wu Qiang New Year's paintings in a morecomprehensive and profound way.Wuqiang New Year's Painting is a classic national cultural symbol of the Chinese nation,which has a strong internal meaning.This study will attempt to interpret it from a semiotic perspective.