The Comparative Studies Of The Three Editions In Schumann's "Kinderszenen,Op15" Wang Daojing

Robert Alexander Schumann is a famous German composer,music critic,pianist and one of the representative figures of romantic music.Schuhmann's works reflect his distinctive personality characteristic with romantic color and with a high degree of thinking at the same time,so he is called a "music poet”.This paper selects the Schumann's piano divertimento “Kinderszenen Op.15” as a carrier,selecting the same record “Kinderszenen Op.15” to do comparative research played by three pianists who have different nationality in the different periods in order to do music analysis of the deep meaning and connotation.Horowitz and Martha Argerich are great musicians who both are active on the world piano stage;Lang Lang is a young Chinese pianist in the 21 st century.This article will do full range analysis on the piano work“Kinderszenen Op.15” and do questionnaire on music major stakeholders.Besides,it will do comparative study on the three versions of the pianists;do analysis of their writing style,art processing as well as the similarities and differences in performance skills from the music score,audio waveform and other forms,so that we can draw an accurate conclusion from the work to feel more comprehensively the characteristics and connotation of the work as well as aesthetic concept and aesthetic treatment,improving the quality of music and performing arts and hoping to provide some reference to player and music lovers.