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Critical Studies Of Chinese Animation In The New Historical Context

Posted on:2019-11-24Degree:MasterType:Thesis
Country:ChinaCandidate:Q ZhangFull Text:PDF
GTID:2405330545960429Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The Chinese animation was sprouted and developed in the specific cultural context of China.It has gone through more than 90 years since its beginning.In the most difficult environment,the early Chinese animation artists started their exploration from imitation to innovation,and created the "Chinese Animation School" with local characteristics,which is praised both at home and abroad.Throughout the development history of the Chinese animation,there are no lack of original outstanding works.But it does not mean that the Chinese national animation has no regrets.In the new historical context of the twenty-first Century,the television animation,the cinema animation has come into an integrity and maturity chain of the industry,the digital media is widely used,and the animation text is greatly expanded.the interpretation of the different stages of the development trend of animation in the history of Chinese to critical angle can be obtained in the context that contains both rationality and positive achievements,but also the existence of negative factors now China animation development.Due to the constraints of specific historical conditions,the overall development trend of Chinese animation has resulted in the solidification of creative thinking,forming too much emphasis on formal performance,narrow subject matter,backward industrialization and backward technology.In the strong impact of foreign animation industry mature multimedia era,Chinese animation into a situation,said of an aged person in a nice hobble,some works of "nationalization" there are misunderstandings,one-sided blindly respected revivalism,which has been formed in the creative thinking of the shackles of traditional elements or by mechanically stacking form previous to Renaissance Chinese animation.Under the horizontal contrast,the advantages of the United States,Japan and South Korea are undoubtedly of reference to the development of the current Chinese animation.But there are differences in cultural background,form different countries,different parts of China animation works ignored the social environment,the blind imitation of foreign animation,the weight is not heavy,one-sided pursuit of economic benefits but lost the soul of a nation,resulting in the lack of the original power source works,crudely made.Therefore,when we learn from traditional elements and take the way of "nationalization",we must critically and combine the current industrialization development and create under the technology driven digital environment.In the constantly changing social environment,the animators should understand the national culture,critical analysisof "National School" animation,not conservative,forms of deliberately mechanically animated past.In the learning of foreign mature animation language and industrial model,it is not advisable to copy and imitate.Only based on the local conditions and contemporary context,critical acceptance of the modernization of traditional elements and the localization of world culture can enhance the essence of Chinese culture in animation.
Keywords/Search Tags:Chinese animation, nationalization, critical research, animation industry, digital media
PDF Full Text Request
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