Landscape Gardens In Southern Song Dynasty Paintings

The painting of the song dynasty,especially the landscape painting,is an insurmountable peak in the history of fine arts.The height of the art he carries is not only a natural result of the origin of the context,but also a result of the painter's worship of nature,his subjective reflection and judgment of the objective response to "measure things and take their truth".Botanical garden development in song dynasty,has been the royal clause pestered him in the tang dynasty literati gardening and their memories,to investigate the heart of the heart of heaven and earth,the reason of the poor on and in the face of natural landscape of trade-offs can be made of person of originality themselves also reached new heights of history,and is different from the later Ming and qing dynasties era garden lei mountain fold stone pile.Hangzhou,the capital city of the southern song dynasty,with its unique geographical conditions and pleasant natural scenery,makes people consider not only the living environment,but also the literary heart.After all,gardens are for people.In the southern song dynasty artist works depict the landscape garden is not only to reproduce the objective subject,is also the poets in the painting,expression and interpretation of the aesthetic thought of "logos",both in the face of the objective of the real,and beyond time and space construction to poetic living space construction,and reflects the landscape garden in painting,we will have what kind of enlightenment and thinking? What are the similarities and differences with the poetic dwelling described by the yuan,Ming and qing dynasties? It is reasonable to believe that the refinement of gardens in the southern song dynasty was a comprehensive embodiment of the profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound,profound.The landscape gardens around linan,the capital city of the southern song dynasty,are often recorded in many documents and literati poems.It is also an important turning point and golden period in the history of Chinese landscape architecture.I hope that through the interpretation of the landscape gardens in the paintings of the southern song dynasty,supplemented by the records or records written by literati and literati,I can have a remote reflection of the life ideals of the gardeners and the subjective feelings beyond the objective world.And through the southern song dynasty painters for landscape gardens,reflected by the aesthetic thoughts and humanistic feelings in the painting of sustenance,as well as the painter's garden painting experience.It is hoped that this article can not only be an objective understanding of the development of gardens in the southern song dynasty,but also a high understanding of the painting theory,emotional attachment and aesthetic thought under the influence of the real neo-confucianism in the face of the landscape gardens created by the painter,which have both degree of choice and degree of object image.It is based on the southern song dynasty painting landscape gardens to do research.