A Discussion On The Zheng Zhenduo's "Literature Of Blood And Tears" Thought And Novel Practice

"Blood and tear literature" is Zheng Zhenduo's important literary thought and creative practice.As a writer with both realism and romanticism,Zheng Zhenduo advocates literature to pay attention to reality,face the hardships and hardships in social life,and analyze the real people's survival and spiritual situation.At the same time,he also asked literature to express the true emotions of the author,reflect the true spiritual state and emotional sustenance of the people,and express the artistic aesthetic of poetry.Reflected in the creation of novels,Zheng Zhenduo's four novels or shortcomings expose the darkness,or go deep into the family,analyze the people's nature,or use the cloak of history and mythology to express deep concern for the real society and life,and express romantic sensibility in the real criticism.The tendency is to break the old literature of "no disease" and the old system of decay and backwardness,and rebuild the new literature and new society of truth and warmth.From the perspective of Chinese and foreign cultural sources,the "blood and tear literature" from the introduction,interpretation to practice,embodies the traditional Chinese "injustice" literary character and the spirit of "ruling the country under the world",while deeply criticizing Russian realism The baptism of the literary spirit.After the arduous and cruel practice of real struggle in the 1930 s,the "blood and tear literature" matured in the mid-1930 s,driven by the combination of ideological sublimation and creative mastery.The author wants to put forward and interpret the "blood and tear literature" and comprehend Zheng Zhenduo's "initial problem novels","family novels","mythical novels" and "historical novels" to try to find "blood and tear literature"."From the logical connection between propaganda and proposing to practical creation,I found that this is one of the literary beliefs that Zheng Zhenduo has always adhered to in his literary life." Then I think about how Zheng Zhenduo tried to adjust the balance between realism and romanticism in the process of breaking the "false" and "real" and breaking the "old" and "new".He practiced grandiose in the literary thoughts and novels of "blood and tears".Social ideals and literary ambitions.Finally,the specific performance of the "blood and tear literature" in the 1930 s is summarized.This paper is divided into three parts: introduction,body and conclusion.The introduction is divided into three sections,which introduces the background of the topic and the meaning of the topic,the research status of the topic and the research methods and ideas of this article,and briefly explains the concepts of "family novel" mentioned in the article.The text is divided into four chapters.The first chapter examines Zheng Zhenduo and "blood and tear literature" from three aspects: social and literary background,concept definition and interpretation,and evaluation of merits and demerits.It also supplements and explains issues related to theoretical analysis and historical materials,and excavates as a concept.The theoretical connotation,creative concept and revolutionary aesthetics contained in the "blood and tear literature".The second chapter is the transition from theoretical interpretation to practical creation.It interprets the practical significance of "blood and tear literature" from four aspects: "initial problem novels","family novels","mythological novels" and "historical novels".From the propaganda and advocacy to the development process of personal practice,Zheng Zhenduo pursues the grand ideal of "blood and tear literature" from four aspects: humanitarian sympathy,national character enlightenment,mythological imagination rebellion and class loyalty concept.It also enriched the idea of "blood and tear literature." The third chapter mainly focuses on the value orientation and artistic characteristics of "blood and tear literature".The first is to start from the Chinese and Western spiritual culture and examine the cultural source pointed out by the "blood and tear literature".This is not only the traditional modernization of the traditional Chinese "uneven",but also the spiritual orientation of the temple.At the same time,it is the crystallization of Western critical realism and humanitarian influence.Secondly,it recognizes the profound significance brought about by the literary and social valuespointed out by "Blood and Tears Literature".In literature,it requires breaking "false" and "true",and in society requires breaking "old" and "new".Finally,I understand the rich artistic features contained in the "blood and tear literature" from both realism and romanticism.The fourth chapter mainly recognizes and evaluates the maturity of "blood and tear literature" from two levels of thought and practice.This kind of maturity is first of all the deepening of the rational content of thinking,especially the maturity of class thinking.Second is the sign that its novel practice is gradually becoming more and more mature in both thought andart.In the end,Zheng Zhenduo's sincere,frank and simple character has become a plain and sincere literary personality,which has become an indispensable subjective condition for the maturity of "blood and tear literature".The conclusion part points out that "blood and tear literature" is an important literary thought formed by Zheng Zhenduo in a certain historical stage,and has produced rich literary practice in the long-term historical struggle.Zheng Zhenduo expressed his serious literary identity and lofty mission with the "blood and tear literature",which contained his strong desire for popular liberation,enlightenment and social modernization.The development of modern literature has positive significance.