Two Sides Of Poets

The famous "Mavantuo Folk Song" named after the poet Yuan Shuipai's pen name "Mavantuo" in the 1940s,there is a "must not be a day without this poem"saying," folk songs "popular scene also let the critics of the" folk songs "poetic questions,thus triggered a discussion on "poetry".Yuan's satirical poetry is sought after behind the cover of lyric poetry,and lyric poetry is precisely his friends as the most valuable part of art.Its lyric poetry and satirical poetry are not independent two creative modules,there is a hidden relationship behind it,which leads to the poet from lyric poet to satirical poet.This paper intends to put the lyric poems and the satirical poems of folk songs in the same framework,return to the specific historical and cultural fields,and explore the internal reasons for the change from Yuan Shui-ping,a lyric poet,to Mavantuo,a folk song poet.First of all,the introduction of the research object of the overall grasp of the current Yuan poetry research summarized and summarized,pointing out the focus of current research and the shortcomings.On this basis,the research object and scope of this paper are defined.In the first chapter,by the mistake of the signature of "more field events ",the focus of this to the object of mavantuo and his creation of "mavantuo folk songs";"folk songs" is a kind of "mountain city song" centered on the mountain city chongqing.The fourth chapter discusses the reason why Yuan changed from a lyric poet to a folk poet.The communication with the Communists in Hong Kong and the active acceptance of Marxist education made it a Marxist literary and artistic warrior in fact;the unique urban experience in Chongqing promoted the formation of "folk songs";and the Shanghai period was the peak period of "folk songs" artistic creation,and Yuan Shuipai really realized the transformation.The epilogue simply summarizes Yuan's poetry creation after the founding of the People's Republic of China,and summarizes the full text to reveal its position in the history of Chinese new poetry.