Research On The Artistic Expression Of Cheng Er's Films

Cheng Er is not a prolific film director who created only three film works in the 18 th year.If the graduation work "criminal" is included,it will be counted as four.Such low output can't hide the personal edge of Cheng Er's artistic value of the work.This article uses the three films directed by Cheng Er,Unfinished Girl,Lethal Hostage and The Wasted Times as the research object.Using the relevant knowledge of film theory,And literature research methods,comparative research methods,content analysis methods,inductive summarization methods,Detailed analysis and interpretation of the three film works directed by Cheng Er's director.The author tries to interpret and analyze through the symmetry of his artistic path.Digging and interpreting the theme Implications,narrative features,audiovisual styles and meaning exploration of Cheng Er's movies.In this way,the unique film style of the director of the ear and the director's thought behind the work are summarized.In the introduction part of the article,the author will explain the background and significance of the topic,the research status and trends,and define the "film writer",film art and its methodology,and analyze the specific research methods and feasibility analysis that this paper will adopt.In the main body of the text,the author according to the full text of the Western narratology theory outline.Chapter 1 of the thesis will give a brief introduction to Cheng Er's artistic career,and combine the theoretical knowledge of "film writer" with the synchronic comparison of contemporary director's works to explore the basic characteristics of Cheng Er's film creation;Chapter 2 refines the theme of Cheng Er's film works,conducts in-depth analysis,explores the theme of different stories,the life consciousness behind the plot and human care.The formal means of the research content of this chapter will be obtained in the third and fourth chapters of the thesis.In the embodiment,its value will also be refined and sublimated in Chapter 5;Chapter 3 takes Cheng Er's three films as the specific research object,analyzes the commonality and transformation of his narrative strategy from the perspective of narrative structure and narrative time and space,as well as the director's intention behind the strategy;Chapter 4 studies the unique audio-visual language of Cheng Lu's three films from the perspective of the lens and the auditory elements,and how the director uses these methods to assist the narrative and echoes.Chapter 5 echoes the content of the first chapter in the sense,and also summarizes and sublimates the contents of the third and fourth chapters.This chapter makes the thesis realize the "surgery" from the study of the outer shell of the works of the ear.The research purpose of the value appeal and the "Dao" of artistic connotation,and explore the philosophical implication,the value of the era and the aesthetic significance of Cheng Er's works.At the moment of consumer context and commercial wave,the artistic value of Cheng Er's film works can not be underestimated,and domestic scholars have a relatively small amount of research on his works.Since the The Wasted Times,Cheng Er has once again attracted the attention of the industry and academic circles.He also tries to systematically comb and interpret his works in order to use more practical meanings to connect with reality,bring motivation and enlightenment to the artistic pursuit of the current film,and bring inspiration for the research of related scholars.