From "The Storm" To "The Great Changes In The Countryside"

Zhou Libo is an important writer in the history of modern and contemporary Chinese literature in the 20 th century.Throughout his literary creation career,he can find that novel creation is the most successful and most commendable aspect.Zhou Libo's creation of country-themed novels has been in existence for more than a dozen years,running through the three historical periods of the War of Resistance Against Japanese Aggression,the War of Liberation,and the New China.The revolutionary cause and socialist cause of singing China are the same theme.However,perusing his novels,he can find that Zhou Libo's cultural resources are rich,and his creative style is also variability.For the relationship between various cultures,Zhou Libo's treatment methods are different in different periods.He has followed the requirements of mainstream ideology,and deliberately highlights the revolutionary culture in the text,echoing the needs of politics and the times with distinct people's nature;He also tried to break through the mainstream literary model under the influence of the intellectual's internal independence,and harmonized the relationship between various cultures in the text to show the rational elite thinking and the love affair of the "homecoming".Based on this,this article takes Zhou Libo's two most famous novels,Storm and Rain,as an example.From the perspective of cultural returning home,Zhou Libo's literary creation is divided into three stages: culture in the countryside.The cultivation of the period,the collision of the cultural separation period and the harmony of the cultural return period.Through the division of three stages,the paper analyzes the influence of cultural conflicts on Zhou Libo's creative cultural strategies,revealing the richness of his cultural resources,and his literary creation is a process of change and variability.In this way,Zhou Libo,who is in the tide of the development of revolutionary literature,is a party literary warrior.He has a self-recognition of the revolution and an independent thinking about literature.The paper is divided into three parts.The first part analyzes the cultural cultivation of “native and revolutionary” before his creation from Zhou Libo's early rural life experience.The experience of the middle-aged family in his youth made Zhou Libo accumulate a profound local culture;the extensive study of classical culture cultivated Zhou Libo's love for elite culture.Among them,the humanistic feelings and the spirit of the scholar-officials,which emphasize the worrying of the country and the people in the classical culture,laid the foundation for Zhou Libo to accept the revolutionary thoughts.The enlightenment of Zhou Yang and the enlightenment of the "May 4th" new literature contributed to Zhou Libo's original revolutionary pursuit.The life experience in his childhood has created a variety of cultures in Zhou Libo,which laid the foundation for the richness and cultural variability of cultural resources in his later creation.The second part takes "Storm and Storm" as an example to explore Zhou Libo's departure from his hometown in the special context of revolutionary history,especially under the baptism of Yan'an Literature and Art Symposium.He completed the selection and confirmation of self-subject identity and consciously The first screening and adjustment of self-cultural resources was carried out.During this period,Zhou Libo unconditionally accepted the edification of revolutionary culture.He actively strengthened his own revolutionary thoughts,deeply rooted the revolutionary culture in his heart,and profoundly influenced the aesthetic taste of elite culture and local culture.Introspection and criticism.In the end,Zhou Libo closely followed the revolutionary pulse and transformed his sincere understanding of revolution and politics into a "storm" with distinct people.But when the cultural collision broke out of the revolutionary spark,the excessive deliberate pursuit of the purity of the revolutionary culture also made the works Elite culture and local culture have been suppressed and lost,forming some regrets.The third part takes "Landscape of Mountain Township" as an example to discuss Zhou Libo's return to his hometown of Yiyang,Hunan.He has completed the enrichment and expansion of his self-subject status under the circumstance of his hometown,and his cultural resources have been properly integrated in his creation.During this period,New China was in the torrent of construction and development.Zhou Libo adjusted his creative path after trying industrial writing.He retired from the unfamiliar industrial field and returned to the most familiar hometown.The identity of the “homecoming person” solves the cultural conflict and dissonance caused by the departure period: the elite culture is subtly embedded in the theme of revolutionary culture,and the works from time to time show the rational thinking of the intellectuals on the cooperative movement.Criticism of the elites of the feudal backward peasants;the local culture is also harmonized throughout the narrative of the revolutionary plot,and the work has shaped a beautiful country from the nuances,showing the strong sense of hometown of the wanderer.The ingenious symbiosis of multiple cultures in the text shows us the richness of Zhou Libo's cultural resources.The "Great Change of Mountain Township" has thus become the product of his spiritual return.Finally,the conclusion part briefly discusses the significance of Zhou Libo's cultural resources and the variability of style to his own literary creation and the enrichment and development of revolutionary literature.