Research On Chinese New Folk Music From The Perspective Of Subculture

This paper takes New-Folk in mainland China as the research object,combines the subculture theory with the new folk songs,specifically discusses the style characteristics of New-Folk,and discusses the change of New-Folk to mainstream culture from resistance to compilation with the emergence of new media and consumer culture.New-Folk is a type of subculture music and a typical subculture form.New-Folk developed rapidly after the 21 st century,from the form of performance,the content of the performance to the final relationship with the mainstream society,reflecting the characteristics of marginality and resistance.New-Folk theme is diversified,with a regional life style and ironic symbolic characteristics of the rebellious rebellion.New-Folk have also become one of the expressions of young subculture groups pursuing self,establishing identity and resisting mainstream culture.Under the emergence of new media and consumerism,New-Folk has moved toward integration and integration through both commodity and ideology.This paper deeply analyzes the changes and developments of subculture theory to post-subculture theory.Through the theoretical framework of subculture combined with the theory of philosophy and communication,it focuses on the transformation of subculture to post-subculture,the style characteristics of New-Folk and In the end,through the intervention of new media and consumer culture,it analyzes the process of resistance from new resistance to collection.This article will focus on the theory of philosophy and communication,using the methods of literature analysis and text analysis,from the perspective of sociology and cultural studies,combined with the current situation of the dissemination of new Chinese New-Folk,analysis of New-Folk and subculture,consumer culture and The relationship of new media.