A Study On The Aesthetic Thoughts Of Guodian Chu Bamboo Slips "The Out Of Nature"

In pre-Qin Confucianism,Confucius talked less about the nature of mind.Compared with Confucius,Mencius and Xunzi had a lot of thoughts on the nature of mind.It can be clearly seen that the development of the theory of mind nature between Confucius and Mencius showed the characteristics of thinking jumping.There seems to be a fault.The excavation of bamboo slips from the tomb of Chu at Guodian between Confucius and Mencius complemented this thread of thought and completed the historical chain of the Confucian "mind" aesthetics.In the bamboo slips unearthed from Guodian,there is no doubt about the value of "Exercising by Nature".It not only embodies the doctrine of "nature" and "nature" in the context of the pre-Qin Heavenly Destiny,but also expresses a strong sense of beauty and aesthetics.But its aesthetic significance is rarely mentioned in academia.Therefore,this article elaborates on the aesthetic thoughts of "Self-Destiny" from the following four parts:The first part,combined with some other classics from the pre-Qin period,interpreted the philosophical concepts of Jianwen,examined their original meaning,and tried to restore the meaning of these concepts in the text in the context of the time.The second part specifically discusses the aesthetic thoughts of nature Destiny.Glyph analysis of part of the text of Jianwen,such as the structure of "being" and "heart",is proposed in Jianwen,which expresses the humanistic aesthetics with the "heart" and "nature" phenomenon.In addition,aesthetics and "love" are inseparable."Emotion" in the simplified text is the manifestation of "heart",so the simplified text also shows the aesthetic tendency of "beauty"."Li" as the concrete expression of "love",making and reviving rituals are due to "love".Therefore,it is necessary to improve individual personality cultivation with "ceremony" and reach the aesthetic realm in the sense of a Confucian gentleman.The third part,the realization of "ceremony" cannot be separated from "music".Compared with "Music",the music aesthetics of "Self-Destiny" shows a great difference.Although it is believed that music originates from human feelings,Jian Jian pays more attention to the inner emotion of "belief".In the fierce debate between Yale and Zheng Weizhi's merits,Jian Wen's attitude is very mild,and he believes that both "teach others." This is the uniqueness of their music aesthetics.Jianwen's music education thought also upholds the traditional concept of re-learning and education,weakens the political factors in music education,and reflects the purity of "learning by music".The fourth part explores the relationship between the chapter "Xing Zi Ming Chu" and Meng and Xun.Some scholars believe that "Xing Zi Ming Chu" comes from the Si Meng School.Through analysis and combination of "Mencius" and "Xun Zi" and other handed downdocuments,we believe that "Xun Zi" is similar in thought to "Xing Zi Ming Chu",showing that Traces of thought inheritance.