The Art Construction Of Shangdang Clappers

From the troupe to the troupe,it is a recessive chain of inheritance.This paper studies the inheritance after the break-up of banshe newspaper,and explores the inheritance relationship between the two.The Mingfeng class,a representative of the above party Bangzi,as an example,can also explore the art construction of shangdangbangzi.The choice of Mingfeng class is naturally related to its strength and influence,and more importantly,its strong inheritance.Ming Feng class activities around200 years,in the history of the troupe is also very rare.There are many troupes that can be inherited,but the most reasonable standard of inheritance is to consider the length of the troupe's lifetime.Those who live for a long time will pass on from generation to generation,and vice versa.The performance of opera has never been independent or separated,but inherited.As the carrier of opera performance,banshe's Diaspora is not really disappeared,or it's just a form of diaspora rather than a soul diaspora.The study on the inheritance of banshe newspaper after its dissolution is a miniature of the study on the inheritance of opera.We can see that banshe has not disappeared,and it has been living in the inheritance from generation to generation.In order to study the inheritance after dispersion,we must first define the time of dispersion.In the first chapter,the paper redefines the real report and dispersion of Mingfeng class,that is,the three reform movement in 1951,and explains the reasons from three aspects.Therefore,the article is named "the art construction of Shangdang Bangzi" the art inheritance of Ming Feng class after the "three reforms".After the founding of new China,the ancient troupes have undergone reform and reorganization again and again.In 1946,the people's Government of Jincheng County reorganized the Ming Feng troupe into a folk wind troupe.But at this time,the main actors of the folk style troupe are still the original " Mingfeng people " in essence,and the repertoire and performance mode have not changed greatly,so at this time,only the change of the name can not be regarded as the real report.In 1951,the Government Council issued the "Five Five Year Plan" signed by Zhou Enlai,and started the three reform movement of opera,namely,changing people,reforming and changing opera.This is the beginning of the transformation of the whole opera troupe in China.Mingfeng troupe,no exception,is different from the traditional Mingfeng troupe after the "three reforms".So Mingfeng troupe broke up.By the destruction during the socialist transformation and the cultural revolution in 1956,and then by the name change and reorganization for many times,the Shangdang Bangzi troupe and Mingfeng troupe no longer have anything to do with the former Mingfeng troupe in the eyes of most people.This paper discusses which traditional opera factors have been inherited by the seemingly separated troupe.In the second and third chapters,different inheritance focuses are explored from the comparison between Mingfeng troupe and the new troupe,which can be understood as the inheritance category of intangible cultural heritageand material cultural heritage.In the second chapter,it explores the following aspects: the transmission of performers from teachers and apprentices to teachers and students,the transmission of performing schools and styles,the inheritance of class rules,the influence of the name of the troupe on the local audience,and the continuation of the spirit of the traditional troupe.Because the performing culture of opera belongs to the intangible cultural heritage,the focus of the inheritance is also placed in the second chapter.In the third chapter,we explore another kind of inheritance,that is,the inheritance of material and cultural heritage,which includes the inheritance of the purpose of classical drama,the inheritance of costumes,the inheritance of the wardrobe,and the inheritance of stage settings.The performing way of opera determines that the inheritance of material culture is relatively simple,but it is also the quality of opera that can not be ignored.Through the study of the quality of these operas,from the inheritance of Mingfeng class to the inheritance of all class clubs,from the exploration of shangdangbangzi to the exploration of the current development of all ancient operas,it can be seen that the troupes never really disappeared,and the operas will not.In order to rebuild the confidence of the development of opera,especially the local opera,and finally from the inheritance to the new life.