The Expression Of Space And Spirituality In Bodhisattva Worship In Han Buddhist Temple

After Buddhism was introduced into China,it collided and integrated with Chinese traditional culture in the process of its root and development,and formed sinicized Buddhism,which was different from Indian Buddhism in terms of belief and spirit.Due to the development of politics and people’s needs,it gradually evolved in han China and formed an important link--bodhisattva belief.It is to a large extent based on the context and meaning system of Buddhism,and conveys its doctrines and practices through the manifestation of its images.It has a profound influence on the internal form layout,space and configuration of external groups of buddhist buildings.However,the research and practice in this field have not been carried out thoroughly,which is the main research content of this paper.The research content of this paper is based on the systematic textual research of ancient books,contemporary studies and case studies.The main research object is the buddhist space model and the space existence of bodhisattva among buddhists.Starting from the buddhist classics,this paper makes clear the characteristics of the buddhist space model and the main spatial characteristics and orientation of bodhisattva.Comprehensive buddhist cosmology and construction at home and abroad to study relevant treatises,looking for buddhist space system and the spatial characteristics of the bodhisattva associated with han to the connection between the Ming and qing dynasties Buddhism buildings in Beijing,for intention between abstract and concrete shape,looking for a special relation between attention since introduced into han to worship and belief of the bodhisattva,appeared in the process of contact buddhist dubbed a variety of space form and spatial distribution of the bodhisattva,traced back to the han Buddhism contained in the architectural design of cosmology to religious culture meaning,It also analyzes the translation methods of the buddhist space and the figure space of bodhisattva in the Chinese buddhist architecture,and explores the development and evolution of the buddhist architecture under the influence of various spatial distribution.On this basis,a comprehensive study was conducted on the spatial distribution of the four famous buddhist mountains formally formed in the Ming and qing dynasties,the architectural configuration,overall layout,statue arrangement and landscape selection of the monasteries in Beijing,so as to push the systematic study on the spatial significance of the Chinese buddhist buildings to a deeper level.