| This paper studies the shadow puppetry in hua county from the perspective of the aesthetic characteristics of the dance.Through the tracing and development of the shadow puppetry in hua county,the way of performing,the production technology,the image of the characters in the drama and the stage interpretation,the author fully understands the value of the folk art of the shadow puppetry in hua county.This paper studies the aesthetics of shadow puppetry from the perspective of dance aesthetics,compares the commonness and individuality of the two art forms of dance and shadow puppetry on the same horizontal plane,and explores the connection between them.This is the biggest difference between this paper and other papers on shadow puppetry in hua county.Firstly,the characteristics of the same category are studied to find the bridge between the two architectures.Through dance and drama,shadow play and traditional opera,shadow play and the relations between and among the dance as the starting point of this thesis research,confirmed that the opera as Bridges and dance dance and shadow play and shadow play of inner link,give full play to the functions of dance aesthetic characteristics analysis of the characteristics of the county shadow play,will rise in traditional art a level,further analysis of communion between dance and shadow play and the fusion,to better reflect the commonness between the two values,for the county shadow play art and innovation to find new way.Under the national initiative to enhance cultural confidence and the national "One Belt And One Road" initiative,the protection and inheritance of cultural diversity has become the theme of today.As the representative of the national intangible cultural heritage,shadow puppetry in hua county should meet the needs of The Times and seek for innovation and development,so as to make the traditional folk art lasting and vigorous.County puppet artists actively adapt to the era of art development trend.making shadow play art by hand to circulate in the market,to build county shadow play theme culture,to reform and innovation of county shadow play performances form in,created a series of dance drama type of shadow play,use of new media technology realization county shadow play this ancient art history and modem hand in photograph reflect,tradition and fashion,for the inheritance and protection of county shadow play a road,also let dance and shadow play two new sparkles between the development of art.The first part of this paper summarizes and reviews the original intention and significance of choosing huaxian shadow puppetry as the research subject,and expounds relevant research theories,status and trends.The second part briefly introduces the concept,development,cultural environment,historical evolution and social influence of shadow puppetry in hua county,and preliminarily understands the causes and values of shadow puppetry in hua county.In the third part,through the study of the content and form of huanxian shadow puppetry,the author analyzes the stylized performance mode and special performance mode of huanxian shadow puppetry.The fourth part takes the fusion and derivation of dance,shadow play and traditional Chinese opera as the research purpose,analyzes the common value among shadow play,dance and traditional Chinese opera,builds a bridge between dance and shadow play with traditional Chinese opera,and seeks the connection between dance and shadow play.The fifth part from the dance art and county shadow play art aesthetic research two art development,universality and individuality through the aesthetic elements,image and artistic conception to explore county this shadow-puppet-inspired dance aesthetic characteristics,create a new development path for county shadow play,discuss whether this innovation for shadow play and dance two art forms from each other to find a new value. |
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