Han Ju Heritage Development And Protection

Hanju has a long history and plays many beautiful Tune, businesses complete, comprehensive program, techniques and diverse, genre scene, masters of Culture of the Peking Opera "mother", "Paper Huang Tune" originator of the Opera, Peking Opera has given birth to the national essence, affecting many local Opera In history of the development of Chinese theatre arts writing a brilliant chapter of history.20th Century 1950s and 1960s, HanJu have extremely brilliant, with 22 professional troupes, more than 2,000 practitioners, trained a generation of artists such as the famous star Chen Bohua, create and produce a number of well-known outstanding repertory, and to Chen Bohua represented by the HanJu performing artists to the development of art onto the peak.At the beginning of the 1980s, HanJu survival and development of a crisis, a reduction of discharge has increasingly, actors reduced repertoire reduction, reduction of endangered performances, which will lead to the worsening ecological HanJu heritage, passing the disintegration of the main divide, passing team Houjifaren, transmission progressive recession, the loss of the audience is becoming increasingly serious. In 2006, the Hanju is listed as the non-material cultural heritage protection targets by the State Council.In the cultural diversity and traitional theatre marginalization of the times, Hanju art survival and development of the situation is still not optimistic. At present, the Wuhan-Hanju-Troupe has become the "sole Hanju troupe", the ancient Han Ju many outstanding plays and superb acting facing lost the urgent need to rescue and protection.As the national non-material cultural heritage, the Hanju art development and the protection have heavy responsibilities. HanJu should be implemented production and self-importance troupes and to intensify the repertory production, personnel training echelon pioneering performance market; attention repertoire of innovation and the promotion of the arts Tune innovation, and promote the performing arts innovation; develop practical protection measures, and abide by the principles of protection clearly protected object, the implementation of protective measures, clear protection responsibilities.