Phenomenological Study Of Wushu

Plan and approach of the study: One of the basic hypotheses of this study is Wushu, as one of existent consciousness constructed by body language and fundamental reflection of social consciousness, is deeply marked by the conscious reflection of the Wushu specialists social activities. It is the product of the combination of the individual consciousness and social consciousness, and is in the forms of Wushu movements and routines, the reprodution on another stage of the living experience based on the hunting, fighting, war and living. In order to verify this hypothesis, this study adopts the methodologies of phenomenology and those of many other theories, such as embryology and logic, and through Heidegger's ontology, Husserl's transcendentalism, and the most basic existence consciousness itself in the historical process of formation of thinking and humankind, analyzes the representations of Chinese characters and poems and those of Wushu routines and movements. By following oriental national worship, belifs, practical fixed thinking modes, painting practice, dancing practice and art, and by analyzing a variety of misleading interpretation of Wushu, the study repeatedly argues the theme: Wushu is existence consciousness, body language, in which movements are words, routines poems, and Wushu with its own multi-functions displays and writes the texts of traditional Chinese culture.Originality of the study: Carding and classification of the history of creation and development of Wushu; exploration of thinking clues of creation of Wushu and the ultimate reason for the difference between Wushu and martial arts in Europe and other regions; revelation of Qixing-shisanquan as the basic element of Wushu culture; construction of the semantic outline of Wushu artistic thinking.Main results of the study:1. The existence of martial arts is "survival", and all the original intention is around the continuation of life. It contains ancient philosophy of translation of Yin and Yang, three talents for one and gives a total of four images, the five elements and six together, and it is the national spirit of impartiality unity, progressive, self-improvement, a harmonious integration in contemporary.2. Martial arts as a tool of culture took place, far earlier than the other human aesthetic objects; martial arts as a "false performance or fight a war" of the art features, it is bound by the interpretation of a tool to the sport of Wushu martial arts, ultimately will be fully bound to the artistic direction. Abstract human emotion to the martial arts routines, and have a similar logic with life forms3. Wushu is in the illusion of time and space to create a visual image, through the action, recreate the ancient battle scenes again, it is not an of illusion to make false true, but a true reflection of the transcendent4. Through the ignorance of the ignorant to the true course of civilization, the only continuation of the four major ancient civilization has never been interrupted is the Chinese civilization, stretching-type of Chinese martial arts culture of the maverick has laid a solid foundation, and folk beliefs diversify martial arts schools, as well as creat a vivid image of fist Posture, fist name.5. Martial Arts is the unique way with body language to explain the Chinese culture, it is through the process of martial arts for practitioners to perception, cognition, understanding of Chinese culture. From the height of the cultural strategy, martial arts should be used as a vivid vector to spread Chinese culture to the world.