A Study On The "Dan Ca Hue" Of Viet Nam

Vietnam is a land area of small countries,yet it has 54 ethnic groups,forming a lot of music,"dan ca Hue" is one of the representative of the traditional form of music.Scholars believe that the formation of the Hue song in the Nguyen dynasty of the late 17th century or the early 18th century,the 19th century is the heyday of the hue.Hue from the court,originally borrowed some music,then extended to the folk,at the same time with some of the hue of folk music.The hue melodies are influenced by music such as Dieu ho,dieu ly,Chau van,which are produced in the same cultural environment,and have unique characteristics.Vietnamese music academics,folk artists of the art form has a variety of titles,the most common is known as the "Hue song",the title is often misleading as "Hue"is a song-based music genre,which Of the "instrument" no other forms of music,such as "A Dao" so important.But in fact,it must not only have to sing instrumental accompaniment,but also instrumental ensemble,solo and other forms.Therefore,I use the "Hue of the song" as the name of this musical form of the name.The paper elaborates the influence of Hueqinqin on other local music,the number of songs and the source and significance of the music tradition.The paper also analyzes the characteristics and skills of each instrument’s playing style and singing method.On the other hand,the author of the folk heritage of the specific survival of the state,the heritage of the music variety,made a detailed,in-depth and meticulous investigation and study,put forward the following arguments:1.Combining the different appellations of" Dan ca Hue" in academia and folk,and proposing the use of" Dan ca Hue " is more in line with the characteristics of the traditional music.2.Scholars believe that the formation of "Dan ca Hue" music peak in the late 17th century to the early 18th century,is an elegant form of entertainment.The author’s study found some evidence to complement this view.3.On the Hue of the "tune" Some researchers believe that the Dan ca Hue is divided into the South and North tune three categories,while there is a call to do"build tune" or "Spring tune",as the tone at the north and south Two transfer the middle of the region,and therefore the integration of the style is the characteristics of the South and North.However,according to the author and other folk artists experience and views,as well as personal years of learning experience,that the hue of the song only includes two kinds of tune:the North and South,"building cavity" or"Spring" is only in the South system A "spring chamber."4.As for the inheritance status of Hueqinqige,the author found that few of the descendants of folk musicians are willing to inherit their ancestors’ music career,because of economic,social and policy reasons,the traditional music talents are decreasing day by day.At present,most young actors are only in order to get the appropriate economic compensation before choosing this career,not out of the real love of traditional music,so professional and performance is not very good,due to the lack of music talent,music technology Requirements to a certain extent,reduced,and other related issues and therefore arising.Therefore,the author in the study of Hue after the Qin,the Hue of the musical heritage of some of the views and recommendations.