On The War Poetry In Literary Supplement In "Ta Kung Pao" Of Chongqing Version

The thesis start from the Literary Supplement in "Ta Kung Pao" in Sino-Japanese War time in chongqing, discuss deeply the content and style construction of The War Poetry in "front" and "Literature and art" in 1943, and attempt to analyze the interlinkages between the Literary Supplement in "Ta Kung Pao" of Chongqing version and the generation of chongqing war poetry.The paper is divided into three chapters.Detailed descriptions of the first chapter lie in "front" and "literary" poetry overview in Chongqing during the War of Resistance. It focuses on the influence on the war poetry from three aspects:editorial features in historical context of war, "Ta Kung Pao" newspaper policy, Chongqing regional factors, which provide the bedding to further explore the content and style of Chongqing war poetry.The second chapter focuses on the interpretation of the poetry content in "front" and "Literature". On the one hand, under the influence of "four noes" principle in "Ta Kung Pao," and editor's ideology, poetry focuses on the theme of war, not only contain historical writing with suffering, light, dark as the theme, but also the life of the individual experience of war; on the other hand, the Chongqing regional factors also influenced the poetry writing, such as "fog" image, the people live in mountain. All of these allow chongqing to become a unique landscape in war poetry, which let.The "front", "literary" be an important part of the poem in the rear Chongqing. Chapter three emphasizes the style construction in "front" and "Literature" during this period. By combing the stylistic development,the thesis tries to interpret the stylistic choice in "front" and "Literature" under the context of war, and then discuss the positive roles of reading poetry, field verses, poems and other notes in promoting The Development of Literary Supplement of "Ta Kung Pao" and the construction of the Chongqing war poetry...