The Inter-subjective Construction Of Harmony

The thesis expresses the philosophical communication on many dimensions across subjects in wide fields, with the help of the conscious of inter-subjectivity the theory of modernity and the core of the idea of harmony world. Firstly, the writer confirms the deficiencies and achievements, after the connection of quantitative studies and qualitative analysis, and the review of Gadamer studies both mainland and overseas. Secondly, the writer systematically describes the context and the orbit of the conception of inter-subjectivity of Gadamer. In this part, the author points that communication is the world of interpretation on the basis of the theory of meaning. After all, the meaning is the bridge of communication and interpretation, and the connection of communication theory and hermeneutics .Thirdly, the writer turns back to the text itself, esp. Truth and Method, depicts the production of inter-subjectivity on communication, including the microscopic narrative of info communication, and the microcosmic analysis of reports. Moreover, the writer talks about the media of language, which is the creature of him, including the interpretation of his point and the extension of intercultural communication at the core of dialog .Last but not the least, under the guidance of Marxism, on the purpose of the construction of the theory of Chinese char on global horizons, the writer provides the approach of the theory of art communication on the inter-subjective hermeneutics on the base of developing the useful and discarding the useless. Actually, daily communication, which is distorted and limited, fails to realize the inter-subjectivity. On the contrary, aesthetic communication, including aesthetic interpretation and aesthetic sympathy, is the recovery of the real and free communication. So they are the full realization of inter-subjectivity.