Meng Haoran Landscape Idyllic Study

Meng Haoran's landscape pastoral poems show the natural and cultural beauty of Xiangyang and Wuyue, and possess dense local cultural color. Because of his particular reclusive experience and internal unadorned cultural character, Meng's landscape pastoral poems present the light whole style. He not only inherits Xie Lingyun and Xie Tiao's composed experience of the landscape poems, but also produces the obvious new change of his poem's art: First, the transformation of landscape aesthetic ideal; second, the abundant connotation of landscape theme; Third, the movement of find-a-view image and sketchy pattern; Fourth, the poesy form of unpretending aloof. In the process of receiving Tao Yuanming and his poems, Meng Haoran's pastoral poems behave the evident difference in the aspects of pastoral theme, pastoral scenery's essential and composed methods, unfolding aging transition of pastoral poem's mode. Especially. The composed skill of combining landscape and countryside, is the obvious signal to confluence of landscape pastoral poems in Prosperous Tang Dynasty. And the skill implies the consolidation of the landscape countryside's beauty and free and easy cultural spirit of Prosperous Tang Dynasty.Compared to Wang Wei, at the angel of observing nature, Meng's poems are mainly dynamic recording travel, Wang's poems are mainly static sketch. In the fashion of expressing emotion, Meng's poems think much of subjective expressing emotion, Wang's poems pay extra attention to external description. On the composed skill, the accent of Meng's poems is on the poetic regulation, with the style of afluentness and lightness, wang's poems blend the characters of poet and painting, with the style of subtleness and gracefulness; In terms of the type, Meng's poems put emphasis on Five-word, Wang's poems are good at every format; At the style, Meng's poems show more light and frugal, Wang's poems behave exquisiteness except dilution. The composed difference between Wang and Meng displays the contemporary evolvement of the landscape pastoral poems from one flank.