Painting Perspective, In Modern Modernist Art And Development

Summary:The knowledge of perspective that we are using is formed in the eighteenth century, and it had once played an important role in the development of the painting tradition of the entire West With the emergence of Western modern art, the science of perspective has lost its dominance over the art of painting. However, the science of perspective has not lost its role and significance. In the twentieth century, some principle of the perspective has been further applied and gained relative developmentIn the process of gathering information, I did not find any systematic studies about the application of linear perspective in the modern post-modern art and I found the absence of relative literature of linear perspective. It is at least a virgin "soil" in China. according to the analysis, the use of perspective in the modem post-modem art and its development is manifested in the following three points:First, although the science of perspective was consummate, but the relative principles of the science of perspective were not well applied in the actual practice of painting. It should be applied in the practice of painting in the new phase of development of art.Second, broke the rule of perspective. This break is not unconscious and the reason of this break is not ascribed to the lack of knowledge of perspective, but a reverse of thinking. This reverse way of thinking is not a betrayal, but rather multiple perspectives to understand new things and new problems, standing from the opposite side to think and to find new things.Third, Painting Perspective had an impact on sculpture and installation art of Painting. Perspective study of arts is still an important technical theory in the study and practice of art of painting. The reserves thought are needed to broaden our three-dimensional thinking. In the future, it will provide us with mental power during the creation of practical art.