The Painting "painting" Outside "- The Interpretation Of The Artistic Ideas Of The Tapies

It has become an important part of the language change of Painting form to break through the traditional genre of tools and materials and use painting materials as required synthetically.Materials with rich vitality are used in paintings to enhance the expressiveness of the painting form . It is an inducer of painting texture expression as well as an impetus to active creative thinking.Many painters use new materials and technologies to paint. Anthony Tapies, a representative of the non-mainstream painters, is one of them. Anthony Tapies is an artist of painting, tile and sculpture. His paintings break all the conventional and old form to express his concern for the world with unique non-formalistic approach. His artistic philosophy and conduct have deep meaning and unique innovative. It not only inspires the qualitative change of modern art and the birth of modern art genre, but also has high reference value to the development of modern art.The first part of the paper introduces Tapies's life and art activities to enable the reader to understand Tapies and hie artistic achievements.The second part traces Tapies's source of artistic formation and the development and evolution of his art style.We analyze the source of artist ideology in terms of artist seting, personal emotion catharsis, effect of the contemporaneous artists, Freud Psychoanalysis, Marxist Theory. etc.The paper presents Tapies's artistic style development and evolution in 60s,70s and 80s in term of the different times.The third part of the paper represents Tapies's art concept interpretation, the outside and inside of the paintings. A deep and detailed research on Tapies's art concept is carried on in this part, which is the key part of the paper.It is discussed in three aspects: 1, form in paintings and content out it. 2, richness in painting and simplicity out it. 3, western approach and oriental aesthetics.The fourth part describes reflections on Tapies's art.