Building Decoration Pattern Exploration

Civil construction decorative graphic symbols as a part of the visual arts, to inspire modern design inspiration, enrich modern design language, to increase the cultural intension of design plays an important role. This article through to the Hunan in Ming and Qing Dynasty building Woodcarving in the geographical environment, cultural background, graphic symbol system and other aspects of the study, discusses the architectural decoration of modern graphic design inspiration and design principles, and gives an example to analyze the related design fields of traditional architectural graphics modes of application. Hunan unique natural conditions and abundant historical and cultural resources, to build the Huxiang culture, creating atmosphere, plain Hunan folk architectural art of wood carving. Based on agricultural economy in Hunan on the basis of Ming and Qing Dynasty Civil construction decorative carvings, by the spirit of Chinese national culture and traditional painting art, the decorative carvings of artistic features exquisite " describing objects as they are" and" operating location", exquisite carving form and shape, density and height between the actual distance sense. Since the Hunan civil construction decorative carvings from the Ming and Qing court art influence, and full of secular tendency and vivid creativity, and Anhui, Jiangsu and Zhejiang exquisite carvings more Piao clumsy compared atmosphere, material selection, production and aesthetic combination, art and technology to achieve the perfect unity. Hunan Ming and Qing Dynasty carved wood building decorative patterns for the auspicious patterns, not only has simple, bold, natural, health and other characteristics, also includes the people live and work in peace, the desire to draw on the advantages and avoid disadvantages, not only the traditional Chinese art of simple aesthetic and practical and rational values, and has accumulated rich graphical expression language and unique symbol characteristics of.Hunan Ming and Qing Dynasty carved wood building decorative patterns in the aesthetic value of technical beauty, focused on by the historical experience to the modern art design drawing, and inspiration in the development of future, make the traditional art form in the new design concept for showing up Gu Huan this charm. Art design is the designer’s ideas, through the design of the form of the language, using a graphical way to display. In today’s information-based, diversification of high-tech era, art design has become an important part in the development of human civilization, and Chinese art design is facing the opportunity and challenge of hitherto unknown. Today, the media diversity and intensive change rapidly, design thought, has led to the acceptance of the way information is produced profound change, people pay more and more attention to and dependent on the unique visual graphics, forcing the art designers must constantly strive to explore, to temper the comprehensive cultural cultivation and advance awareness, learning and Research of traditional decoration art, know their basic origin and creative ways, only in this way can we enrich the visual language, do in practice have a definite object in view. The face of today’s western culture dominated era, art and aesthetics in the context of globalization is becoming more and more diversified, the traditional woodcarving decoration patterns as the accumulation of national history, culture, folklore, art and other symbols of the carrier and the traditional reproduction, to carry forward modern design unique personality has important significance. Modern art design in the traditional wood carving decorative patterns on the basis of the inheritance and development of traditional wood carving, will promote the decorative patterns in creative direction, and forms of expression to a higher realm of art development, to a new era of aesthetic idea and the value orientation for regeneration.In the highly developed material civilization of modern society, to inherit folk pattern graphic language, excavating its rich humanistic connotation to the spirit of the times, adhere to innovation and development, is to play traditional architecture sculpture decorative modern value key. The study of the specific content and framework into six parts:the first part is the research present situation, significance and content and method; second most of Hunan in Ming and Qing Dynasty building woodcarving patterns overview. Mainly introduced Hunan in Ming and Qing Dynasties, natural and humanistic environment, which mainly includes natural geography, social economy and Confucianism, religious culture influence on Hunan. Third most of the major of civil building woodcarving patterns art style and form characteristic. From the creation technique, form, style, artistic characteristic, analysis, and the surrounding area and the other building decorative patterns of comparative analysis, reveals the folk buildings in Hunan during the Ming and Qing Dynasties woodcarving patterns in the form of beauty and the embodiment of humanistic spirit. Fourth parts mainly through the analysis of meaning shape both the wood carving decorative patterns, studies on Hunan folk architectural woodcarving patterns reflect the cultural connotation of Hunan during the Ming and Qing Dynasties, the folk buildings in woodcarving patterns including Confucianism, religious and secular auspicious pattern instance, expressing feelings and beliefs of people of Hunan plain. Most of the fifth’s through to the Hunan folk building woodcarving patterns characteristic, significance, factors analysis, explore the wood carving decorative patterns on modern art design inspiration, research under the globalization trend, Hunan folk architectural woodcarving decoration pattern in the graphic elements and spiritual connotation of what will be the inheritance, development, and how to promote civil building decoration design of graphical symbols to modern transformation, how to combine the era and new decorative material, to create suitable for the needs of modern design works. In the final conclusion part, overall research this study on the whole idea and key points, to respect the history, based on now, look to the future, summary Hunan folk architectural woodcarving decoration patterns era, aesthetic and cultural value, germinal to architectural decoration integrated graphics to create and design awareness. Building decoration graphic design should also be embodied as a comprehensive creation, to social, economic and cultural progress condensation in the design works, designed to strengthen the cultural connotation and artistic creation, pay attention to the diversity of demand and development, and pay close attention to the development of modern science and technology, to design a comprehensive ability, pioneering and innovative spirit and rich imagination, based on the traditional architectural graphics memory, inclusive, criticism and creation, will make the old folk architectural woodcarving patterns emit the radiance.