The Principle Of History And Art Of Collision

Chinese history is approximately continuous, in the social development, whichhas accumulated a wealth of historical and cultural resources. China’s TV, which isfrom historical stories for the creation of historical teleplays in this type of art,occupies a large proportion. Historical drama how to accurately grasp the principle ofhistory and art principles of scaling problem is becoming the creator of TV dramasand consumer topics of common concern.Overall, Chinese historical drama is along superstition�'digestion�'playful�'until the game on history. Some film and television arts image of iconic historyfigures had a special evolution.The breakthrough point is based on the “schemer " video image of the historicaldrama. The object of study is the different stages of historical development of“schemer " image. There would be a horizontal comparison on the basis of differentperiods of “schemer " artistic image. Analysis is focused on the motive of social andcultural on the evolution of artistic image. There would be deep and regularrecognition of film and television art production, drawing on practical significanceconclusions on historical drama production.In the first chapter, the theoretical issues are defined on principles andprinciples of art history of the image of “schemer”. There is some judgment andanalysis in the art of aesthetic practice. The attitude of specific age people towardshistory is pressed, the form of historical and artistic principles firstly meet theaesthetic principle. The artistic identity and historical cognition of the” schemer” wereelaborated. And the processing from the aesthetic tradition to the real historicalestablishment was so.The content of the second chapter is about analysis of the “scoundrel”. Firstly,the category of the object study—the domestic television drama concept is detailedinterrelated, the shape of " scoundrel " image is the pattern cut, through literature,drama and other art related images comparative study, describing a " scoundrel " image evolution trajectory. Discussing the television arts image of the social andcultural causes is the key, mining the social and cultural significance of art image.In the third chapter, the author first examines the shaping patterns of culture onthe “hero " image. We would be a preliminary understanding in the culturalsignificance on the “Heroes " artistic image evolution inevitability. On the basis ofthat, the historical TV drama “hero " image was carried on a more detailedcomparison study. This is divided into “hero” type,“hero” evolution etc. Finally, theunderlying social and cultural meaning would be discussed about this imaging modeevolution from the creators of film and television, mass which is surrounded by thesocial cultural environment. In which, from psychology, TV play psychologicaltreatment function, this is a conclusion from the evolution of mode, which is animportant conclusion on the TV drama production in practice.