Font Size: a A A

The Presentation Style Of The Song, Ming Version Of The "Tang Quatrains Million Songs"

Posted on:2016-06-23Degree:MasterType:Thesis
Country:ChinaCandidate:L L YangFull Text:PDF
GTID:2285330461977264Subject:Ancient Chinese literature
Abstract/Summary:PDF Full Text Request
This thesis attempts to reflect a major shift of the concept of poetics,through the in-depth comparison of the presentation style of the Song, Ming version of the " Tang quatrains million songs ". The thesis is divided into five parts.The first chapter briefly describes the two versions of the " Tang quatrains million songs " and points out that the fundamental difference between the two versions is the presentation style.The second chapter, through a detailed analysis of of the Song of the document content that Song " Tang quatrains million songs " is a "first seven-character, Wu Yan second, Six Yan behind", Poet of the literary history to orchestrate the Tang Dynasty poetry quatrains collection, highlighting its importance to the literary genre, attention to values as Poet of Literary History.Through a detailed analysis of the Song of the document content, the third chapter points out that this " million songs Tang quatrains " is in " Poetry Meeting people, people in generations " principle to rearrange million songs Tang quatrains, which generally follows the sort order of age, showing the attention paid to "Si Tang said,", focusing on the history of the establishment of the Tang quatrains in "Si Tang" for staging.The fourth chapter analyzes the different concepts of learning different versions of the poem, draw conclusions surface differences of presentation style reflect the deep changes of different times poetic concept. In general, the Song version sorts according to the status of literary history, however, the Ming version forms the "person with time" standard of choreography. On the surface, the difference of the two versions is just in style, but in fact reflects the different ideas of poetics behind.Appendix part chooses Qing Wang Shizhen "Tang million songs quatrains election" as the breakthrough point, the subsequent anthology of the " Tang quatrains million songs " and their poetic concepts are discussed in this thesis. The "Tang million songs quatrains election" shows Wang Shizhen rhyme poems as "zong" ideas of poetics."Tang quatrains million songs " puts the rhyme together with tang as the object, different time present a different style, it reflects the deep poetic concept changes in different times. This phenomenon is not only unique, but also with great researching value.
Keywords/Search Tags:Thousands of the tang dynasty rhyme, Hong Mai, version presentation style, Four tang, poetic ideas
PDF Full Text Request
Related items