Marx’s Aesthetic Appreciation Dimension Of The Perception

Sublating traditional concept of Marxist philosophy, his own philosophy based on perceptible activities or practice, on the basis of Marx’s philosophy is to achieve a change in perceptual transcendence, this transcendence gives perceptual initiative. First of all, aesthetic is a sensual being, Marx put forward the labor to create a aesthetic, artistic and aesthetic activity is the product of man‘s essence power and human contemplation, realize that aesthetics and life is integral,just as the same as man and nature indivisible. The full text includes four parts:The first part, it analysises the theoretical sources for Marx’s aesthetic appreciation dimension of the perception. First of all, from Kant’s The critique of judgement of aesthetic ideas to Marx’s aesthetic dimension of the perceptual ideas. Marx’s understanding of the aesthetic have in common with Kant’s understanding. These in common is realize the aesthetic that they are artistic expression in the sense of theory. But Marx to aesthetic attention also focused more on its practice. Secondly,Marx’s thinking of Hegel’s dialectics thought, to thinking Hegel’s dialectic thought, Marx endorse the Hegel’s but not entirely agree,he proposed materialism on it basis of idealist dialectic.Next, Marx evaluate Feuerbach’s humanism artistic thought, Marx’s critique of the absolute, recognizing it role in material, and put forward sensual as an equally important role.The second part explains the connotation of Marx perceptual thoughts. By perceptual thought transcendence the traditional philosophical perceptual,have sensation and perceptions activities directed from perceptions.The third part focuses on the aesthetic perceptual connotation Marx thought, by Marx’s basic definition of aesthetic, aesthetic premise of an aesthetic object, aesthetic Approach thus establishing the aesthetic perceptual of Marxist thought connotation.The fourth objective analysis the theoretical significance and practical significance of Marx’s aesthetic appreciation dimension of the perception...