Realism:A Broad Road

Since the mass media spring up,the formation of literary works is no longer only the text itself to complete the degree as an important measure,the advent of the editor and the involvement of the author text become the important factors affecting the work generated at the same time.Editors have gradually become one of the important hubs in the literary production system,and their "checks" on literary works often reflect the orientation of literature.Qin zhaoyang is an ideological editor in the history of contemporary literature,whose exploration of realism has a profound impact on his editing practice and the spread of contemporary literature.In addition,the editing practice of people's literature and contemporary has participated in the development of literary history in another way,which also shows Qin's contribution to the history of contemporary literature through his persistence in "realism: broad road".This paper focuses on three typical editing cases of Qin zhaoyang in the "hundred flowers" period,the "new period" and the 1990 s,and probes into Qin's literary thoughts and limitations of "realism: a broad road" through the analysis of editing cases.The first chapter mainly through The Organization Department of the New Young People "this case of editing Qin zhaoyang image modification analysis,combined with his important literary theory" realism--broad road "to explore the realism of his thought against" dogmatism "side;The second chapter selects two editing cases of Furong Town and Ancient Boat to explore the core value of realism that Qin zhaoyang adheres to under the environment of "new era",accepts other narrative methods and creative techniques,and constantly expands the road of realism.The third chapter analyzes the challenges Qin's realism thought encountered in the 1990 s through the entanglement between Qin zhaoyang and the Fables of September,and then explores the conflict between Qin zhaoyang's "realism: the broad road" and modernism,and the opposition to "modernism".Therefore,from the 1950 s to the 1980 s,Qin zhaoyang opposed dogmatism,refused to narrow and rigid understanding of realism,and constantly absorbed other literary ideas and creative techniques in the main body of realism.In the 1990 s,Qin zhaoyang opposed the challenge of modernism to the core values of realism,showing its limits.Therefore,whenever Qin zhaoyang always believed that literature should take the road of realism.