On The Rewritten Works Of Zhao Qingge

In the history of modern Chinese literature,Zhao Qingge is an accomplished and influential writer.In her literary career of nearly 70 years,she has created a large number of literary works on the topics of novels,poems,essays,screenplays,drama and so on.However,Zhao Qingge 's rewriting works have a very unique personal style.Through the local inheritance and innovation of the previous text,the new text that conforms to the context of The Times is created,which contains the author's distinct ideological consciousness and innovative spirit.The thesis consists of three parts: introduction,body and conclusion.The introduction first explains the concept of "rewriting" works in this paper,introduces the general situation of Zhao Qingge 's creation,and points out that some of her works are created by unique "rewriting" technique.Then the research status of Zhao Qingge 's rewritten works at home and abroad is investigated and the significance of the topic selection is explained.The text is divided into three chapters,which are respectively discussed from the perspectives of creation intention,rewriting strategy and value significance.The first chapter is the creation intention of Zhao Qingge 's rewriting works.First analysis Zhao Qingge script shortage during the Anti-Japanese War in order to solve the problem,to foreign literary works as a blueprint for rewriting the four scripts and analyze the adaptation of her two historical plays,the six scripts fully embodies the Anti-Japanese War under the background of the patriotic theme writing second late in the war of resistance of a dream of red mansions adaptation after the founding of the people and the rewriting of works as an example,the paper mainly discusses the anti-feudalism theme thought.Finally,through these rewritten works,the author analyzes the independent thinking and mental course reflected in the creative process.Chapter two is the rewriting strategy of Zhao Qingge 's rewriting works.This paper first explains the creative technique adopted by Zhao Qingge in the process of adaptation,that is,making bold innovation on the basis of respecting the original work.Then from the author's adaptation practice to explore some of the symbolic images in his text.Finally,Zhao Qingge gives full play to the uniqueness of the stage organically,overcomes the limitation,expands the stage space,and leaves the space of imagination for the audience.The third chapter is the value and significance of Zhao Qingge 's rewriting works.On the one hand,Zhao Qingge chose to consciously identify with the mainstream of the Anti-Japanese War discourse,and through the drama adaptation echo this discourse.The intervening spirit ofwriters in the era of participation and the era of literature echo is fully embodied in its three plays.On the other hand,Zhao Qingge wrote his worries about the society and the country into the ancient Chinese literature works,hoping to awaken people's anti-feudal consciousness and the consciousness of pursuing freedom and democracy through this work.The conclusion part analyzes that Zhao Qingge used his pen as a weapon to pour his passion into the creation of literary works.The characters in her works are vivid and fleshly,which have influenced generations of readers.They do not depict distorted characters for their own interests,and also provide many useful experiences and inspirations for future generations to continue to create rewrites.