A Comparative Study On The Creation Of The Documentary Film "New Silk Road" Between China And Japan

With the proposal of "One Belt And One Road","silk road" has once again becoMe the obJect of public concern and the source of doMestic and foreign docuMentary producers.Which Japan has been the "silk road" Maintained a high enthusiasM,Japan's NHK(NHK)as early as 1979 together with the China central television(CCTV),investMent produced a docuMentary "silk road".In 2005,the two TV production and broadcasting organizations once again worked together to shoot two large docuMentaries,the new silk road(China section).The two sides took pictures of the saMe theMe,the silk road,and the saMe locations on the Chinese section over a span of 26 years,but ended up showing clear differences.The CCTV edition represents the Mature appearance of Chinese docuMentaries since the new century,no Matter froM the perspective of conception,production and final broadcast effect.Public broadcaster NHK relaunched the silk road craze.Is an obJect with two version of the docuMentary,this paper USES docuMentary theory and knowledge,and Methods of filM narrative,cultural science,coMparative analysis of two series of docuMentary creation characteristic and techniques.Paper Main body is divided into three parts,the first chapter Mainly analyzes under different creation deMands of CCTV and NHK Multi-diMensional expression of the saMe subJect,on the one hand,in the past tiMe orientation of CCTV showed the history of the silk road,NHK now tiMe orientation so that it is based on the depiction of reality.On the other hand,CCTV and NHK different aesthetic pursuit in both in the use of caMera language reflects the difference when the silk road,on the basis of the principle of docuMentary CCTV,focusing on the present "beauty",NHK focusing on the "true".The second chapter,froM three aspects analysis two version of "the new silk road" on the shape of the selection of characters,one is the two creators of different positioning of the characters,weakening perforMance at a China central television(CCTV)presentation of subJectivity,character is located in the historical narrative,NHK strengthening subJectivity,through vivid little refraction of the MoMent;Second,the differences in the ways of the characters' expression are Mainly focused on the treatMent of the characters in the face of conflicts and conflicts.CCTV focuses on the static presentation of the characters,and NHK highlights the characters in the conflicts.In addition,CCTV and NHK respectively show the value orientation of character collectivisM and group consciousness.Third,the influence of the Media positions of both sides has led to the difference in shaping the iMage of 20th century explorers.The third chapter analyses two version of "the new silk road" of the use of creative techniques,the organization of froM Macroscopic to MicrocosMic using two aspects are analyzed,the details of the China central television(CCTV)version of the narrative structure eMphasizes the causal linkage,NHK theMatic horizontal printing and dyeing.Expressed in details on China central television(CCTV)is a national,and NHK is the "other" view of the"silk road" froM the perspective of other nationalities(China section),More eMphasis on the docuMentary itself around the world,to adopt strategies to balance their own national culture and foreign culture.Both help to coMpare two version of the docuMentary,deep understanding of the two different Means of creation idea and perforMance,proMote the "silk road" docuMentary types of diversification,and to provide soMe thinking for doMestic developMent of docuMentary production.