Research On The Ecology Of Yan'an Literature Before 1942

This paper selects 1938—1942(before the Talk at Yan'an Literature and Art),the two most important associations of Yan'an(the All-China Anti-Japanese Association of Writers and Artists of Yan'an branch,Yan'an Lu Xun Literature Institute),the publications and community activities which are closely related with institutes,such as "Leaves of Grass","Grain Rain",to explore the literature ecology of Yan'an,and he development of this period.The first part of the thesis reviews the formation of Yan'an early literary ecology,mainly focus on three aspects:the first is the creation process of the anti-fiction and the realism;the second is the opposition of the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute and seeking unity efforts;the third is the early Yan'an literature which is centered on the relationship between the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute.The second part examines the interaction between the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute activities and the overall socio-political environment in Yan'an,which lead to the overall direction,literary subject matter,and aesthetic style of Yanan's early literature.Externally,the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute writers have made various efforts to comply with the expectations of war for literature and art,but because of subjective elitism and individualism,as well as objective aspects,Yan'an lacks a unified cultural policy,and the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute The level of activity is different from that of Yan'an War.Within the two sides,because of deep-seated differences of opinion,a fierce argument broke out over "what to write" and "how to write",which determined many features of Yan'an's early literary creation.The third part mainly discusses the development trend of Yan'an early literary ecology.At the Yenan literary discussion held in 1942,Mao Zedong demanded that artists and literary artists must serve the workers,peasants and soldiers unconditionally,and made concluding provisions praising light and darkness.the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute writers rushed to politics.Categorize.Later,during the process of exposing and approving Wang Shiwei,the internal division of the text was disintegrated until the countryside was dissolved.At this point,the conflict between the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute and the Yanan context no longer existed.The paper examines Yan'an's early literary ecology and shows the ways and characteristics of Yan'an literature before the "Speech." In Yan'an,from 1938 to 1942,the establishment,rise and fall of literary societieswere not only the cultural people's own affairs,but also affected by a variety of external factors,such as the party's cultural policies,war environment,and so on.The paper takes the All-China Anti-Japanese Association of Writers and Artists and Yan'an Lu Xun Literature Institute as the starting point to show how multiple factors such as war,cultural policies,sectarianism,and literary publications influence the appearance of literature in the early period of Yan'an.In the 1930s,left-wing literature,late Yan'an workers',peasants,and soldiers' literature,Understanding the Changes in the Transmission of Contemporary Literature in the 1950s to Understand Yan'an Literature in the Early Period.