The Analysis Of The Orchestral Suite "Reverberations Of The Silk Road" And The Exploration Of Its Creative Techniques

The Silk Road is of special significance in China's history.It is a channel for China to communicate with the rest of the world.It is also a historical symbol of Sino-foreign exchanges.It left behind not only the memory of history,but also the Chinese thinking mode of looking at the world and their understanding of world peace and prosperity through cultural exchanges and integration between Chinese and foreign businesses.With the continuous development of music creation in China,works of the Silk Road genre emerge in endlessly,among which the "Silk Road Echo" is one of them.This set of works consists of eight pieces,namely "Wind and Moon: for Pipa and Orchestra","Dunhuang Two Frames-for Orchestra","Silk Rhyme-for Banhu and Orchestra","Heaven in Caves","Garden in the Air-for Flute and Orchestra","The Great Wall" and "Wanlihang-Zhuan".Tongsheng and Band Concerto,and Selected Paragraphs of the Opera Zheng He.These eight works are the composers' perception after the Silk Road,and their creation has a strong individuality.Therefore,a thorough study of these works can continue to promote our understanding of history,culture and people,and can take these as the basis for the future to lead to the "West" again,so as to create a new connotation on the new Silk Road.This paper is mainly divided into three parts.The first part is mainly about the research status of the Silk Road music works in China,and the purpose that the author wants to achieve after completing the analysis and research.The second part is about the introduction of the composer and the analysis of the music noumenon.The third part is the summary.Through the analysis of this suite,the author studies the composers' understanding of the Silk Road music,and how they integrate the understanding into the works,the style of the works,and the orchestra compilation and technical means adopted by the composers.Finally,the conclusion part.