Study On The Group Of Female Writers Of The School Of Mandarin Duck And Butterfly

At the beginning of the 20 th century,a group of female novelists appeared in the Chinese literary world,ushering in the first wave of Chinese female novel creation.These female writers have published their works in the main publications of the School of Mandarin Duck and Butterfly,and they are consistent with the literary purport of the School of Mandarin Duck and Butterfly.Therefore,a group of female writers of the School of Mandarin Duck and Butterfly,represented by Gao Jianhua and Lv Yunqing,has formed.The works of female writers of the Mandarin Duck and Butterfly School have long been published,and the female consciousness,unique delicate thinking,emotional styles,and gender perspectives presented in their works,as well as some new attempts in art,are worth appreciating and studying.However,the popularity of female writers of the Mandarin Duck and Butterfly School is far less than that of male writers,and there is also little involvement in literary history.Therefore,it is particularly important to study the group of female writers of the Mandarin Duck and Butterfly School specifically.This article takes the works of the women writers of the Yuanyang Butterfly School as a starting point,through close reading of the text,connecting the life of the women writers with the political and cultural background at that time,and conducting an in-depth analysis of their creative content and artistic color,to explore the literary significance and value of the works of the women writers of the Yuanyang Butterfly School.The full text will be discussed from the following aspects:The introduction first briefly analyzes the research object,research overview,research significance,and research methods of this article.The text is divided into three chapters: The first chapter studies the opportunities and categories of the emergence of Yuanyang Butterfly School female writers.It first discusses the opportunities from three aspects: politics,cultural market,and educational background.Then it divides the female writers into three categories,introducing their lives and works one by one;The second chapter discusses the echo and breakthrough of the female writers of the "Mandarin Duck Butterfly School" towards the "Mandarin Duck Butterfly Nature",starting from three aspects: solving livelihood and catering to the market,entertainment,and practical use.The breakthrough starts with gender characteristics;The third chapter mainly analyzes the inheritance and new changes of the female writers of the Mandarin Duck and Butterfly School in art.The first is the inheritance and development of traditional novels,including the continuation of poetic beauty,the inheritance of dramatic irony and the survival of the narrative tradition of novels.The second is to learn from foreign novels,including breakthroughs in the narrative perspective and structure of novels.In general,the novels created by the women writers of the Mandarin Duck and Butterfly School not only demonstrate the expansion of literary horizons and the emergence of new artistic qualities,but also exhibit a positive sense of female subjectivity,which has become the precursor of subsequent modern female literature.