Music-Picture Isomorphism Under The Mechanism Of Multi-sensory Channel Synaesthesia

In the process of human development,sensory systems need to be applied to interact the human brain to form an image of the material world.This common feeling can be learned,applied and analyzed.Synaesthesia is very close to painting,but it is often overlooked when analyzing classic works.In the history of western art research,there are two paths for the study of visual art,one is the image science model of the famous German artist Panowski,the other is the image movement theory of the modern French philosopher Deleuze.The poetic tradition of ancient China confirms the possibility of sound and listening as the potential narratives of painting.In the previous analysis of Botticelli’s Spring,I focused more on the graphic exploration of my works,tried new research methods,explored other thinking dimensions of Botticelli’s Spring,combined my own knowledge with the synaesthetic theory,corresponding with the visual vision,and continued to explore the basic laws of images.When analyzing the phonetic isomorphism of Botticelli’s Spring,the theory of multi-perception channel synopsis is taken as the port to discuss the application of synopsis by artists in previous Chinese and Western classical paintings,and analyze the musical connotation contained in the classical works.Secondly,starting from the theoretical dimension of audio and painting synesthesia,combining with the internal form of Botticelli’s "Spring",explore the musical language of "Spring" in a multi-dimensional way,and analyze the rhythmic movement implied in the painting.Comparing the artistic language of music and art,summarize and analyze their common points,so as to further explore the transcenvisual meaning and value of classical works from the perspective of synesthesia.